A clutch of calling cards (and a few bunnies, for good measure…)

A rather brief and content-’lite’ post this week, I’m sorry, on account of having NO TIME – in fact, less than no time (how has this happened?!!):

Following the sad demise (/disappointing sabotage, depending on one’s outlook…) and ultimate futility of last year’s elaborate folded-paper construction that was my business card dispensing device for the ‘Wailing Wall’ (informal – but vast – illustrators’ advertising billboard at the Bologna Children’s Book Fair), I have instead plumped for printed flyers this year (quick and cheap  to re-post, as necessary…), and small plastic wallets with assorted simulacra of my favourite  moo.com business cards (a rather more low-tech, single-sided, home-printed effort) as a concession to the demand (I hope…) for take-away details. My ‘wall hanging’ for Bologna 2011, together with other Fair-centric paraphernalia, is nestled about half-way down my Fair Frenzy post, and there are also a couple of photos of the fabled Wailing Wall (and illustratedbyamanda card dispenser in situ, pre-dematerialisation…) in my 2011 Fair write-up Coming up for air – briefly…(Bologna, Part I). However, it will be these three chaps – or, rather, two chaps and one chap-ess – accompanying me to Italy on Sunday:

Potential saboteurs, take note: I shall be printing loads of copies, and am fully prepared to dispense with a chunky-knit sweater, or two, from the suitcase to accommodate the same! ;)

And just because I couldn’t bear to miss another Illustration Friday , a quick sketch for the week’s topic (this one’s for you, Cindy!): an unusually large and be-spotted yield for such a small bird?!

Clearly, this is not an *Easter* bunny (an Easter bunny, aside from the fact that s/he may have been the very engineer of the garden-full-of-enormous-spotty-eggs phenomenon, would instantly diagnose this egg as of chocolatey origins and recognise the mischievous bird, aloft, for the audacious pretender that it is...)

If I, miraculously, manage to pilfer back an hour or two from the The Passage of Time before Friday, I would love to work this up into a proper colour illustration – possibly for Easter, probably just for the frivolous joy of rabbit-painting – but, in the meantime, I present another bunny (and so willfully subvert the popular maxim, by offering ‘quantity’ as opposed to the traditionally more prized ‘quality’…):

Flopsy lived in fear of the rabbit community discovering his dirty little cheese habit (and the wrath of Beatrix Potter devotees: "You wouldn't catch Mopsy, Cottontail and Peter behaving so shamefully. Very disappointing.")

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Dog days are over…for the moment

Lest I be accused of favouritism in the pet profiling stakes, and in the interests of balance, I thought I’d share some canine studies (now that it’s safe to do so!).

The following sketches, and ensuing illustrations, were the result of an unusually successful foray into the realm of freelancer bidding – on the aforementioned PeoplePerHour site, specifically. I have foraged through the daily listings and occasionally hazarded a bid on a particularly juicy-looking project when such has arisen, but after consistently failing to be selected/awarded the contract (blimey – I’m making it sound like an industrial tendering process for some sort of shiny [invariably phallic], public monument… It’s really not nearly so convoluted!) my bidding endeavours had dwindled to almost nil. However, at the end of January, wallowing in a frankly all-too-familiar slough of despond, I happened across a listing that seemed to burst through my listless fug like a veritable ray of spring sunshine: a US-based ‘prospector’ for people – or, rather, the right person – had written a sweet tale for her English partner, featuring his beloved Staffordshire Bull Terrier, Bob, and was commissioning six illustrations to accompany the story, which she was then going to present in bound, book form to him for his birthday. Invigorated by the opportunity to create a sequence of humorous illustrations and flex my caricaturing/cartooning muscle (depending which might prove most appropriate on further discussion with the client), and – I’ll admit it – impressed by the romanticism of the gesture she was proposing (I really have to up my game in this regard, and am constantly squirreling away snippets of inspiration from whatever quarter they may come…), I crafted a bid. Flummoxed by a PPH email in my Inbox the next day that was neither “New jobs listed!”  nor “Your bid was unsuccessful!”, I was subsequently delighted to discover that I’d been commissioned – hurrah! And more so because the client sounded lovely – responsive, prompt, thorough, GSOH (if this is beginning to sound a little like a lonely hearts ad, it’s because such perfect clients are a rare and, thus, much sought-after breed – I’d be prepared to place an ad…) – the hound in question was a very handsome creature, and it further emerged that her partner is a West Ham fan (in common with Marvellous Dave – although I think his defection to rugby, and entire abandonment of the Hammers, is almost complete): pity for his suffering alone on this last point, should be motivation enough!

So, introduced to the wonderfully rusty-coated Bob – courtesy of a generous complement of photos accompanying the client’s initial emails, which I supplemented with a few images plundered (for research purposes only) from the indispensable Google Images to provide additional reference poses/expressions and muscle tone – I started with a few fairly realistic sketches, a handful of which I’ve included here:

Studies on a Staffie theme

N.B. The small image of Bob, er, squatting as if busy doing something unmentionable, was in fact drawn from a very cute picture of said pooch basking in the warming beams of sumer sunshine and seated inside what, I think, was a child’s paddling pool (empty). A rabbit plays a crucial supporting role in the fabric of the story, hence the (not-to-scale) appearance of the same in the bottom right-hand corner.

Once I had a handle on the basic anatomy of a Staffordshire Bull Terrier, and had identified some of the main characteristics of Bob (both physical – e.g. dark colouring around the muzzle and ‘eyebrows’ – and in terms of personality – inquisitive, exuberant, alert), I began trying to work these into a cartoon-y character that would recur across the 6 illustrations:

From the initial rough sketches and character developments I had provided of her partner, the client had indicated feeling a little conflicted about whether to maintain the cartoon-type rendering, consistent with the rest of the illustrations planned, or whether to try and make him more realistic. I think it’s always much trickier from the perspective of someone who knows (and knows very well) the person being depicted to cede control to the register/genre of the illustration, instinct being to gravitate towards the portrayal that most accurately reflects that individual’s appearance. However, the client agreed that a consistent treatment of the characters would give the best result – although we did compromise on the first frame by electing to show her partner in a ‘close-up’ type shot, cradling puppy-sized Bob, so that she could have an element of portraiture… I’m not sure whether, in the end, this was the right decision, but I actually think that the same scale of drawing in a completely cartoon style would have looked rather bland, i.e. there wouldn’t be enough detail in the face to make it as interesting. Or perhaps this betrays the fact that I’m just not a skilled enough cartoonist! Anyway, I’m including the series of six pieces below (I’m afraid you’ll have to conjure your own narrative in the blank spaces – it is the client’s story, after all – but hopefully you’ll get the gist: it does go a little magic-realism after the 3rd frame, but if you can refrain from scrutinizing [and I deploy this term at its least rigorous intensity...] the chain of events by which these scenarios came to pass, hopefully you’ll still enjoy them):

As with all illustrations, at least from my own experience, the original pencil sketch always seems to have an indefinable extra dimension of 'life' - a freshness, perhaps - that has burnt off by the time fully worked illustration is complete (and sometimes as early as the outlining stage...). I thought I'd include one of the pencil roughs here for comparison.

This is where my Google Images haul came into play - the photos of Bob showed him as a really incredibly good-natured dog, with not so much as a glimpse of tooth, let alone a gaping maw of razor-sharp fangs - as that cheeky young scamp of a rabbit is trying to convince his rapt audience...

The client very sweetly offered to let me know what her partner makes of his 2D self, and canine sidekick – no whisper yet (I hope it’s not an outraged silence!), but she wrote me some very flattering feedback on the ol’ PPH reviewing form :) That, combined with the enjoyment of the job, new subject material, and the really effective rapport I feel we built up over the course of those couple of weeks, made this an entirely positive experience of the PPH system and one I’m eager to repeat – if not exactly replicate… (And, in my highly insular, often a-bit-lonely freelancer enclave, I can imagine I’ve made another friend!)

I was going to continue with the some further detail re. the various threads that comprised the chaotic, knot-ridden embroidery of last week, but I feel I’ve subjected you to enough – if not selfishly deluged you with – inane chatter for one posting: I shall reserve notes on my Bologna (Mk 2) preparation for next week, when (hopefully) I will have executed great and wondrous feats of organisation and creativity of which to boast… *coughs*

‘Til then, I hope you all have a ruddy marv’lous weekend, wherever and with whomever you may be spending it!

AP x.

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‘…[crazy-]paved with good intentions’

Well, I probably wouldn’t go so far as to say that I regard myself as careening down the road to hell – the (truncated) Samuel Johnson quote has, in honesty, merely been lassoed for its Illustration Friday-topic pertinence – but it has been a most peculiar week: the last seven, or so, days have encompassed (a troupe of) be-sequinned tap-dancers, hill-running, cake-gorging, the premature arrival of (and subsequent [apparent] departure of) Spring, surprise tea-with-a-friend, curtain-fabrication and flood (yes, actual flood – courtesy one suburban drainage system that has withstood the rigours of half a century’s worth of pulsing water and finally called time, at 03.30 a.m. on Saturday morning, with an indignant spewing forth of curiously orange silt and disconcertingly brown water…).

However, while I marshal those events into some sort of intelligible sequence - and attempt to spin a, doubtless gossamer-fine, thread by which to string them all together – I would humbly assert (if that’s not too oxymornonic as to be rendered entirely invalid as a phrase…?) that I have not been idle, and proffer the following recumbent cat, tummy-bared, by way of evidence of at least a day or two’s pencil-wielding:

A friend's very beautiful and elegant cat, with a penchant for a comfortable, sun-soaked spot. The portrait was commissioned in pencil only, as Dee Dee's coat is predominantly silvery-grey, but to incorporate a suggestion of colour in specific regions (e.g. under her chin and along parts of her belly), where there's a lovely caramel-y colouration.

One very contented moggy, I’m sure you’ll agree. Although I’m not sure it’s entirely apparent from the portrait, the photograph from which I was working brilliantly captures that deliciously luxuriant feeling of basking in the full, beaming gaze of Sunday morning sunshine (a superlative brand of sunshine, I think you’ll find) – a sensation that may be very effectively intensified by positioning oneself atop a down-stuffed-duvet-clad bed, clothed in Egyptian cotton sheets and requesting a pot of fresh Early Grey Tea to be administered by a loving spouse/other obliging body (you’re not required to drink the tea, necessarily – especially if you happen to be of a more, er, feline persuasion, as pictured; it’s to function more as an ambient prop and metaphorical extension of the duvet – warm and comforting!).

In a feat of outrageous audacity, I’m also going to claim this as my submission for this week’s Illustration Friday topic: the featured creature has no intention of moving from her snoozing spot!

-o0o-

Assuming I am able to extrapolate something like a relevant and interesting blog post from the veritable spaghetti of goings-on strands heaped upon my metaphorical plate, I shall also be including some illustrations from a recent project that I was fortunate enough to become involved in by virtue of the freelancing ‘marketplace’, PeoplePerHour  and a wonderful (some – which most certainly includes myself – might consider perfect) client whom had advertised said project thereon. (Alas, while I have her kind permission to share the resultant illustrations with el blogosphere, they were crafted for the express purpose of gifting to her beloved partner for his birthday and, as this feted day has not yet elapsed, I am bound to keep the proverbial cat well and truly trapped in the bag – much as it may meow and claw to be unleashed [it's a restless beast - well, wouldn't you be...?], and that metaphor may rankle with readers equipped with an inadvertently-controversial-animal-rights-related-content sensitivity…) If you, dear reader, are yourself a creative practitioner of a freelancing persuasion, I would encourage you to explore the PeoplePerHour site as a, potentially, rich seam of diverse and interesting projects. My single experience (so far…) of ‘winning’ work through the site has been an entirely positive and smooth-running one, but I would advise exercising a degree of discernment and caution when considering which project(s) you might wish to place a bid for – I’d recommend scrutinizing, particularly, the budget offered (where an indication is given…), rights/licensing remit expected, and the level of detail provided in the job description. These may all sound like staggeringly obvious points, but having sifted through hundreds of listings (no exaggeration – though that is one of the beauties of the site: there are many new adverts, literally every day, so plenty of choice if something about a job you sort of like the sound of doesn’t quite work on some level – e.g. timescale, subject matter, intended end use), it seems clear that, inevitably and quite understandably, a significant proportion of those scouring the freelancer pool for suitable talent to fulfill their project requirements aren’t familiar with the work/processes inherent in what they are commissioning, nor what the ‘going-rate’ might be. That’s why they’re appealing to professionals, I guess. At least, for the health of my own cheerfulness-o-meter and invested faith in essential human goodness (stay with me…), I elect to believe that the clanging disjunct in understanding – that (for example) leads someone to suggest that an artist would be grateful to receive £45.00 for producing and ceding copyright to 24 original watercolour illustrations to grace the pages of their self-published children’s book – is down to honest naivety as opposed to scandalous cheek. OK: rant over.

‘Til next time (post-7 March), then, I hope you have a glorious almost-Spring(?!?) week.

AP x.

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Make like a tree (or a river/other body of water, in this case)

Fluid ‘Dance-drama’ class *shudder* where children are, inexplicably, required to express abstract concepts through the medium of dance (I, age 6, am the one on the right, contorted into some ridiculous and ungainly shape, while my infinitely more self-assured, effortlessly graceful classmate glides into an arabesque that is the actual embodiment of ‘fluid’, exuding cool the while:  

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‘Angry bees chase thieving bears…’ (Or, more conventionally, if you prefer: ‘Roses are red…’)

*Ahem* (Contrite throat-clearing and head-ducking) I see another gaping chasm of silence and inactivity has yawned open between my last posting and this. I would offer the customary deluge of apologies and/or excuses, but feel that, as this has become such a reliably consistent feature of the Pencil Post, the substance of each blogging ‘event’ is – by its very nature – suffused with procrastinator’s guilt and implicitly seeks your forgiveness and/or indulgence by hopefully offering some illustrative trinket (I try to make them pretty, but can, alas, can supply no guarantees…). Consequently, I shall be dispensing with the regular grovelling prelude (bar exceptional circumstances – of which I already predict there will be many), and hope that you will still follow the graphite confections of my erratically industrious right hand, when you feel so moved to.

During the cavernous time-sink-hole of the past two weeks (and the rest…), I have missed a couple of Illustration Friday topics, have completed an unexpected-but-wonderfully-fun  (and international!) commission, and have tiptoed gingerly across the curious territory that is ‘Married Valentine’s Day’. The latter chiefly involved skirting the issue of my failure to buy some thoughtful (and/or lavish) gift as expression of my undying love for Marvellous Dave by, instead, fashioning a slightly odd (I’ll concede, in retrospect…) Valentine’s card-come-painted-gift in the shape of a mildly perturbed looking bear. Don’t get me wrong: it was crafted with loving intent – and under the requisite furtive, closed-door conditions, to arouse maximum suspicion – but the visual message is, perhaps, a little, er, oblique. I just really rather liked the little bear sketch I’d come up with while doodling idly (is there any other way…?) the previous week, and was looking for an excuse to render him as a proper, watercolour illustration:

As usually seems to be the case, though, in grafting him from dirty scrap of back-of-the-paper-drawer sheet onto a page of pristine Bockingford, he lost some of his spontaneity and, ergo, personality – and I’m still struggling with resisting the fineliner pen to make him spring from the page, trying instead to keep the lines softer and ‘cuddlier’ – but I am still rather fond of him:

The deeply romantic Valentine’s (or, rather, token cap-doffing to) caption on the reverse referenced the rather unimaginative ursine love of honey (nothing too weird there), but then went on to draw attention to the relationship depicted in the scene above, i.e. irate honey bee, from whom honey has been shamelessly pilfered by blissfully-oblivious young bear, pursuing said bear with a determination bordering on the demented. The idea centred, vaguely, around the concept of devotion and an intensity of feeling (bee towards bear), although on closer scrutiny – and, let’s face it, it doesn’t take much – the feeling I seem to have showcased is vengeful anger… You can, doubtless, see how that doesn’t quite work on an occasion (however the integrity of which is perceived as fatally compromised by the dubious, mercenary tactics of the greetings card & gift industries) in which love and romanticism is famously enshrined :/ As I’ve said, though, the motivating sentiment was one of wifely love (I think I got away with it…).

-o0o-

Although I fear I have missed rather more than two Illustration Friday topics (…), I did have every intention of whittling something out of a stray half hour for last week’s cue word, popularity, and – as I had spent a not-inconsiderable proportion of my time during the previous week drawing rabbits (and, curiously, Staffordshire Bull Terriers – but that’s a, probably unnecessarily long and wordily-curlicued, story for another time…) – drew this as a desperate, grasping attempt to try and bridge the gap, Indie-style, between IF topics I could mark down as ‘successfully (i.e. submitted before the deadline) tackled’:

Geez... You win yourself a few (Euro)carrots, and suddenly everyone's your friend...

As per the rules of Illustration Friday, I shall have to tack up this week’s illustration – inspired by the cue word fluid – under a separate posting, so as not to muddy the illustrative waters with the above, rambling sediment (yep, OK – herewith abandoning tedious and ineffectual metaphor). However, I hope you’ll have time to pay it a visit also, however fleeting, and, meanwhile, wish you all a very happy 20th February :)

AP x.

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Cute AND Costumed (perfect portrait material!)

Sheesh! What a (couple of) week(s)! The pencil-&-paint-brush-wielding hand has been furiously busy over the last 14 days, principally with illustrative matters, but also in partnership with its opposite number demolishing the constituent parts of a felled (or dismembered, as seems more appropriate, given the emotional response it’s demise has elicited among assorted friends & relations…), 30-foot (ish) Ash tree in our back garden, which activity also wreaked untold (well, I did vocalize my diagnosis, to snorts of derision…) havoc on my lower back and, um, posterior… Please accept my profuse – but no less sincere for their abundance – apologies for the unscheduled hiatus in blog activity, but I am confident that normal, erratic-but-more-frequent service will resume presently.

Being still somewhat embroiled in first draft drawings for an exciting new commission – more of which anon – and mulling over possible reifications of this week’s Illustration Friday topic, forward, (rather late in the day, granted, but a consequence of the mysterious cessation of email alerts to the unveiling of weekly word-inspirations), I commend the following pieces to you, lately completed for a friend in celebration of her niece’s outrageous cuteness, and with her very kind permission:

‘CHLOE’

The butterflies were a special request - apparently they flit across her bedroom walls, too (sweet!)

 

 

 

 

 

 

 

As a conciliatory gesture, I also offer the following by way of compensation for the dearth of new material served up so far this year, and for the rather content-light nature of today’s offering:

FREE graze box for UK blog-followers (or even just casual readers/happen-across-ers…) – with sincerest apologies to my dear and much-valued international readers: unless and until graze start despatching their delicious boxes of creativity-fuelling nibbles across the pond, I’m afraid I can’t offer you the same :/  http://www.graze.com/p/3WGT9JP

‘Til next time, folks!

AP x.

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It’s all in the preparation…

Owing to a rather unpleasant appointment to have my molars mauled over at the beginning of the week, I had been considering an illustration on an apprehensive (i.e. terror-stricken) dental patient theme in answer to this week’s Illustration Friday challenge topic – prepare. However, the subject matter was to prove just a little too uncomfortably resonant with my own tooth-centric ordeal so, with the sound of the Dread Drill still ringing in my ears, I switched to a less traumatic subject matter – and one which pre-occupies a not-insignificant proportion of my casual, between-important-stuff thoughts: running. 

I am, by no means, a serious athlete, and have rapidly shed any remaining cells of competitiveness in the aftermath of the Tadworth 10 run event on 2 January, but can still appreciate (arguably far more so after that *ahem* memorable day…) the importance of appropriate and thorough preparation before a race. The illustration below is less about the months of critical stamina and endurance (etc., etc.) training beforehand, and more about the curious pre-race rituals runners may be observed performing immediately prior to the starter gun firing. There are usually all manner of weird and improbable-looking limbering and stretching exercises going on, but also a dash of (ill-timed, it transpires) ‘fuelling’ – as demonstrated on the right – which is really far more my approach…

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